Okay, that doesn’t sound so bad, since we all know such romance heroines can survive only on self-righteousness. Perhaps you share the same feelings that I do about how it does seem as if adherence to a set of acceptable heroine behavior (the formula, let’s just call it) takes precedence over actual coherence and logic in the plot? If that is the case, Let It Be Loveseems to be trying to prove you right about the wrongness of the state of things.įor example, Fiona Fairchild (twenty-five, doesn’t want a husband, and it’s all the same old things from there) is required by her father’s will to marry or she will lose all her money. Victoria Alexander’s Let It Be Love is like a parody of a Avon historical romance, only somehow it is not aware that it is a parody.
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